1. When The Tigers Broke Free part 1
This is taken from the Berlin 90 Promo CD. I use this version over the
film version because it has none of the miscellaneous sound effects that
are heard in the film (the lighter, the cleaning of the gun, etc.)  I edited it into two parts. The end of this song cross fades into the choir from the film version. Then the sound of Vera Lynn singing "We'll Meet Again" can be quietly heard until "In The Flesh?" kicks in.

2. In The Flesh?
This is taken from the studio album. No editing has been done to it other
than the song timing at the beginning and end.

3. The Thin Ice
The beginning of this song starts with the extra measures of piano from the film version. I also had to mix in some extra baby cries to help fill it in. The song then cross fades into the studio version.

4. Another Brick In The Wall part 1
The studio version plays until near the end where it cross fades into the
extended Wall Live 80-81 performance with the piano at the end.

5. When The Tigers Broke Free part 2
This is the second half taken from the Berlin 90 Promo CD. The beginning of
the song is edited in to lead up to the "Kind old King George" lyric.

6. The Happiest Days Of Our Lives
Immediately at the end of the previous song, the helicopter sound starts fading in. The studio version is played.

7. Another Brick In The Wall part 2
This the the studio version. At the end, you can hear the music box sounds of the film version of Mother fading in.

8. Mother
I had to do a lot of creative manipulation on Mother. This is the primarily the
film version. I had to edit the middle guitar solo because I wanted to remove the "Hello, hello, do you remember me? I'm the one from the registry office". As a result, when the guitar solo starts, it cross fades to the studio version. At the end of the solo, it cross fades to the end of the studio version with the acoustic guitar strumming. It then cross fades back to the film version at the beginning of the line "Mother do you think she's good enough?" It all works out seamlessly. I'm quite proud of this one.

9. Goodbye Blue Sky
The studio version is played until the end where it cross fades into the extended organ ending from the Wall Live 80-81 version.

10. Empty Spaces-What Shall We Do Now?
Finally, you can now have the best of both worlds. Empty Spaces and What Shall We Do Now are merged together into one song. The studio version of Empty Spaces is played at first. During the line "How shall I complete the wall?", the film version of "What Shall We Do Now?" is cross faded in. At the end, the line "With our back to the wall" has a cross fade into the Wall Live 80-81 performance. I mainly did this to avoid the glass breaking sound from the movie. I use this climactic ending to kick right into Young Lust.

11. Young Lust
This is the studio version. The only difference is the very beginning where the
previous song overlaps.

12. One Of My Turns
This is the studio version. It is the only song on the first half that is completely unedited.

13. Don't Leave Me Now
This is the studio version which cross fades into the extended orchestral interlude from the Berlin 90 performance near the end. It then cross fades back to the studio version during the sound of the smashing TVs at the very end.

14. Another Brick In The Wall part 3
This is the studio version which cross fades into the long extended orchestral interlude from the Berlin 90 performance (also known as The Last Few Bricks

15. Goodbye Cruel World
This song starts with a cross fade from the previous song and then goes into the studio version.

16. Hey You
The studio version is played in its entirety. During the musical break after the lyric "And the worms ate into his brain" I mixed in the electric piano from the Wall Live 80-81 version.

17. Is There Anybody Out There?
This is the studio version. I mixed in a bit of the choir and strings from the Berlin 90 version but it is very subtle.

18. Nobody Home
This is the studio version with the guitar solo from the Berlin 90 version cross faded in.

19. Vera
This is the studio version. I mixed in a bit of the orchestra from the Berlin 90
version but it is very subtle.

20. Bring The Boys Back Home
This is primarily the extended film version but I also have the lead vocal from the studio version mixed in.

21. Comfortably Numb
Here we have the studio version until the final guitar solo where it cross fades into the Wall Live 80-81 version. It then cross fades back to the studio version at the very end.

22. The Show Must Go On
This song starts with the extended intro from the Wall Live 80-81 version and then cuts to the studio version when the singing starts. I have mixed in the extra verse and chorus from the Wall Live 80-81 version.

23. In The Flesh!
This is the studio version with a slight addition of the crowd noise from the Wall Live 80-81 version at the very end to help ease the transition into the next song.

24. Run Like Hell
This is the extra long Wall Live 80-81 performance complete with Roger's classic introduction to the song. It cross fades into the studio version at the very end during the last drum hit.

25. Waiting For The Worms
The studio version is played until near the end where it cross fades into the Wall Live 80-81 version where it has the slightly extended ending where the piano is played.

26. Stop
This is the studio version. It is the only song on the second half that is completely unedited.

27. The Trial
This song starts with the extended intro from the Wall Live 80-81 version and then cross fades into the studio version when the singing starts. I have also added the line "Call the wife". Near the end, it cross fades to the extended ending from the Wall Live 80-81 version.

28. Outside The Wall
This starts with the studio version then cuts to the beautiful film version. I had to do a lot of hiss reduction to this song and then amplify the whole piece because the version on the film is very quiet and noisy. It has never sounded this good until now! Enjoy!

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