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Roger Waters -
Whip Craic |
WHIP
CRAIC
In aid of the Country Alliance '02
Full Review of concert
THE BAND
Roger Waters guitar, bass guitar, vocals
Andy Fairweatherlow guitar
Snowy White guitar
Chester Kamen bass guitar
Graham Broad drums
Harry Waters, keyboards
Andy Wallace keyboards
Ian Ritchie penny whistle
PP Arnold backing vocals
Katie Kissoon backing vocals
Carol Kenyan backing vocals
DATE DETAILS
October 16th The Royal Albert Hall London, UK
TOUR FACTS
ROGER BACK AT THE R.A.H.
_______ Roger last took to the Royal Albert Hall stage on February 7th
1970, with Pink Floyd. Some 22 years later he was back this time to
support the Countyside Alliance. Roger was backed with his touring band
from the summer of 2002
The Royal Philharmonic Concert Orchestra
OPERA DEBUT
_______ With a full orchestra in place and the splender of the Royal
Albert Hall, Roger gave a long awaited debut to his opera, Ca ira. The
piece carried all the hallmarks of Roger's rock compositions, and even
to the untrained operatic ear, the sense of drama and atmosphere could
be sensed. A full 5 minute overture was played as Roger watched on.
FLICKERING STRINGS
_______ The orchestra, conducted by Rick Wentworth, stayed on stage to
add gusto to Roger's three rock n roll tracks. Flickering Flame sounded
particularly polished, one would imagine the studio version may have
some orchestral input.
PRESS SNAPSHOT
_______Q. But surely you've observed the fates of rockers who dabble
outside the genre. When Paul McCartney put out "Liverpool Oratorio," the
classical aficionados threw stones and his fans scratched their heads.
What makes you think this will be different?
_______ A. I understand the knives will come out; that's inevitable. But
one of the problems that people in the classical world have is how many
recordings of Mahler or Beethoven symphonies can you make? They're
always looking for new music, but many of the new serious composers are
into academic forms, which strike some people as sterile and cold. I
think I've made a work that is melodic and emotional; I think I've done
something that can move people. The libretto is very much relatable to
my earlier work, because it has that humane element. Chiago Tribune
1999.
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