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MD5 Record Set:    Disc 1    -    Disc 2 -    Disc 3 -    Disc 4 -    Disc 5 -    Disc 6
  • Band / Artist
  • Concert Date
  • RoIO Title
  • Venue
  • Elvis Presley
  • 1970-07-24
  • The Brightest Star On Sunset Boulevard
  • RCA Studios
  • Town / City
  • State / Prov.
  • Country
  • File Format
  • Hollywood
  • CA
  • USA
  • FLAC
  • Recorder Number
  • Sound Quality
  • Entered By
  • Date Entered
  • Soundboard
  • Very Good
  • patpier
  • 12th of February 2009
  • Taper
  • Unknown
					
  • Elvis Presley "The Brightest Star On Sunset Boulevard, Vol. 1 and 2" (Fort Baxter 2205/2206) RCA Studios - Hollywood, CA July 24, 1970 Complete rehearsal for upcoming shows in Las Vegas Sound quality: EXC Stereo SBD Lineage: Trade CD's (freq. analysis ok) > EAC (secure) > WAV > FLAC (level 8, align on sector boundaries) File Size: 722.6 MB (FLAC) CD 1 (55:05) 01. That's All Right 02. I Got A Woman 03. The Wonder Of You 04. I've Lost You 05. The Next Step Is Love 06. Stranger In The Crowd 07. You've Lost That Lovin' Feelin' 08. Something 09. Don't Cry Daddy 10. Don't Cry Daddy (reprise) 11. You Don't Have To Say You Love Me 12. Polk Salad Annie 13. Bridge Over Troubled Water 14. I Can't Stop Loving You 15. Just Pretend CD 2 (71:48) 01. Sweet Caroline 02. Words 03. Suspicious Minds 04. I Just Can't Help Believin' 05. I Just can't Help Believin' (reprise) 06. Tomorrow Never Comes 07. Running Scared (one line) 08. Mary In The Morning 09. Twenty Days And Twenty Nights 10. You've Lost That Lovin' Feeling 11. I Just Can't Help Believin' 12. Heart of Rome 13. Memories 14. Johnny B. Goode 15. Make The World Go Away 16. Stranger In My Own Hometown 17. I Washed My Hands In Muddy Waters Notes: Unlike the July 16 or 29th rehearsals held on MGM's sound stage in Culver City, this was obviously a much more serious undertaking by Presley and his core band. The RCA studio is the same one the 1960 "G.I. Blues" soundtrack was recorded at, and would later yield "Burning Love" in '72 and the entire 'Elvis Today' album in 1975. Long-time engineer Al Pachucki handled this session, which might explain why the stereo mix is superb. The songs here are performed as if they are doing "the set"; it's easy to imagine that, whereas the other daytime rehearsals were for the documentary cameras, this evening at RCA (without anyone filming it) was for Elvis to take home and listen to. His singing, for the most part, is much more focused; this is Presley the artist, deciding what will and won't work in concert.