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MD5 Record Set:    Disc 1    -    Disc 2 -    Disc 3 -    Disc 4 -    Disc 5 -    Disc 6
  • Band / Artist
  • Concert Date
  • RoIO Title
  • Venue
  • Jimi Hendrix
  • 1970-05-30
  • Berkeley 1st Show - ATM-0256-0257
  • Berkeley Community Theatre
  • Town / City
  • State / Prov.
  • Country
  • File Format
  • Berkeley
  • CA
  • USA
  • FLAC
  • Recorder Number
  • Sound Quality
  • Entered By
  • Date Entered
  • Soundboard
  • Good
  • davebowman
  • 2019-10-31 03:13:45
  • Jimi Hendrix - Berkeley 1st Show - Complete Soundboard (ATM-0256/257) Berkeley Community Theatre Berkeley, California Saturday 30 May 1970 - first show Jimi Hendrix vocals and guitar Billy Cox bass and vocals Mitch Mitchell drums Speeches: 1st speaker Bill Graham 2nd speaker unknown Recorded on 8-track by Abe Jacob with the Wally Heider mobile truck This set is an uprade of ATM-0123/24 The Berkeley Concerts, now presenting the entire show in continuous uniform soundboard quality ("Star spangled banner" & "Purple haze" were completely missing from the older versions of the soundboard tape and the ATM discs as well as the start of both "Foxy lady" & "Freedom") and without the distortion audible on the previous ATM release. The files are numbered from 1 to 13. In order to burn a 2 cdr set tracks numbered 1-6 should be burned on disc 1 and tracks 7-13 on disc 2. Disc 1 1 Intro (cut at 2.56) 2 Fire 3 Johnny B Goode 4 Getting my heart back together 5 Foxy lady 6 Machine gun Disc 2 1 Freedom 2 Red house 3 Message to love 4 Ezy ryder 5 Star spangled banner 6 Purple haze 7 Voodoo child (slight return) It seems that all copies of the Berkeley soundboard tapes originated from Bob Terry. The Cooper Owen auction listings for the Bob Terry tapes include three reels with the 2nd part of the concert. It is however probable that Terry also had similar reels for the 1st half, for some reason omitted from the auction (like many other tapes Terry had), so very likely all of his Berkeley multitrack mixdowns were on 15 ips 10" Ampex reels or similar studio quality tapes. It seems that Bob Terry circulated several different edits of his Berkeley tapes, this is why there are at least 3 different versions of the first show going around all originating from the same reels but with different cuts and missing tracks. The basis of this set was a low generation cassette originally received from Bob Terry that came into circulation in 2011. Unlike previous versions this cassette came directly from Terry and includes all of the music but has some cuts between songs. This set uses a new transfer of that cassette (done on different equipment than the transfer circulated in 2011) as the main source with cuts between the tracks, some drop-outs, noises and the end of Voodoo child (slight return) patched with the dub/edit of the tape that was used for the previous ATM release 0123/24. The intro was taken from a third dub/edit (taken from a previous multi source composite version of the concert) with one cut patched with the main source. There's only one cut remaining and that occurs pre-concert before Jimi enters the stage. It's unknown whether this is also present on the multitrack tapes but as the other edits on the various versions of the tape were "clean" and the sole remaining cut clearly has the tape speeding up after the cut. So it's quite likely that the cut was introduced by different equipment than the other cuts and thus could well be on the master tapes, possibly the multitrack deck was halted when the start of the actual concert was delayed. There's no way to be sure if Bob Terry used his original reels to dub the cassette used as the main source here, it's also quite possible that he dubbed from a safety copy. So the lineage of the main source would read something like this: Master (multitrack) > 15ips mixdown reel (> reel?) > cassette > wav The exact lineage of the patch sources is unknown. No eq was applied to the main source, it was necessary to invert channels and apply eq to the patches in order to make seamless repairs but some variation remains. Apart from the usual differences in hiss levels there were slight differences in the stereo image between the tapes, some tapes had wider stereo than others even though the actual mix of the instruments appeared to be the same. This difference was either introduced deliberately or is down to the copying process, either way some repairs/patches are not 100% inaudible because of this.